Einträge vom Dienstag, 10. Januar 2006
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Received
10. 01. 2006 21:01
from
Re: sieh DORT
Seltsam,
diese zeitung hab ich auch zugeschickt bekommen.
Heisst das, dass wir beide Finnen sind?
>
> der herr beck in einer finnischen zeitung, in signifikanter bonzo-pose
> mit AKamera(47) im anschlag. ich wüsste zu gern, welchen bären er denen
> aufgebunden hat.
>
> kann hier jemand(e) finnisch?
>
--
The Thing Frankfurt http://www.thing-frankfurt.de
Thing Mailinglist: mailto:thing-frankfurt-subscribe [at] yahoogroups [dot] com
___________________________________________________________________
Stefan Beck | Hohenstaufenstr. 8 | 60327 Frankfurt | +49-69-7410210
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Multi.trudi artspace and mediabase works @ http://www.multitrudi.de
Received
10. 01. 2006 17:36
from
sieh an -
der herr beck in einer finnischen zeitung, in signifikanter bonzo-pose
mit AKamera(47) im anschlag. ich wüsste zu gern, welchen bären er denen
aufgebunden hat.
kann hier jemand(e) finnisch?
Received
10. 01. 2006 17:17
from
am 25.01.2006
frankfurter forum für elektronische und neue musik
programminformation
http://experimentalelektronik.de/
25. januar 2006
audio, a bunch of stompboxes, the reverent dr. sherman, three
oscillators aka i, a bass clarinet... is improvised and an idea of
ambiguous clusters of sound, are many, extremely busy electrons, is a
soundtrack to a sci-fi movie never watched or a stirred cocktail on the
rocks, mixed with 2/3 of avant-garde classic and 1/3 of experimental
rock, garnished with a pinch of purple pop-roar, is a weltanschauung
coming from the surroundings of the mysterious cult of yagwud or a
thunderstorm of sound made of hypothermic electronic bubble and
dinosaur-sized melodies of hoovers, is seldom sexy, quite often erotic,
is a problem of drums less, is seldom KO'd in the fifth round, has a
brumm once in a while, is maybe more likely gossip or a trip to the
dark galaxy of electronic sound, works at 220V, or also with 1.5‰ is
the orchestral brother of dupont & dupond, has no reverse gear,
overcomes sudden falls of frequency lightly as well as chaotic
gatherings of overtones, seldom dresses as the taliban, is the most
quiet band when practicing (at least on this side of the alps), is a
musical meal with several courses, including a surprise desert flambé
and an architectonic magical trick, is mostly a modular system, has a
g4 and a g3 processor...
gaudenz badrutt, synth, electronic
christian müller, bassklarinette, electronics.
21:00
tanzhaus west
gutleutstr. 294, frankfurt am main
s-bahn-station galluswarte oder 37er bus ab hauptbahnhof
http://tanzhaus-west.de/
eintrittt 5 euro
unterstützt von Pro Helvetia, Schweizer Kulturstiftung
next:
02. februar 2006
ribot/ryfylke
Juan Pablo Ribot [Spanien]
Ryfylke [Schweden]
15. märz 2006
Sunao Inami [Japan]
29. märz 2006
international string summit feat. bela emerson
Bela Emerson [uk] | Cello, Elektronik, VJ
Lasse-Marc Riek [ger] | feldstärke soundscapes of field recordings
He Tears Consume [croatia] | concrete cow frequencies experience
Mailingliste:
http://listner.org/mailman/listinfo/fffeunm
das frankfurter forum für elektronische und neue musik
[fffeunm] erfährt eine förderung durch das
amt für wissenschaft und kunst stadt frankfurt am main
http://experimentalelektronik.de/
_______________________________________________
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Received
10. 01. 2006 11:16
from
Re: Fwd: [Reader-list] some more questions
mein gott, sie haben recht.
Am 10.01.2006 um 11:08 schrieb Tilmann Jakob:
> Die 2. URL funktioniert nicht. Intervention ist dringend erforderlich.
>
>
> thing-frankfurt [at] yahoogroups [dot] de schrieb am 10.01.06 11:06:50:
>>
>>
>> scheint ja wirklich wichtig zu sein, dieses ding "intervention".
>>
>>
>>> Von: zainab [at] xtdnet [dot] nl
>>> Datum: 10. Januar 2006 05:34:55 MEZ
>>> An: urbanstudygroup [at] sarai [dot] net, reader-list [at] sarai [dot] net
>>> Betreff: [Reader-list] some more questions
>>>
>>> So I have some more questions now:
>>>
>>> What does intervention mean?
>>> What is/are the line/s of difference/s (nuance/s) between
>>> intervention
>>> and
>>> interference?
>>> How does someone (institution/authority/person) acquire the right to
>>> intervene?
>>>
>>> Cheers,
>>> Zainab Questions Bawa
>>>
>>>
>>> Zainab Bawa
>>> Bombay
>>> www.xanga.com/CityBytes
>>> http://crimsonfeet.recut.org/rubrique53.html
>>>
>>> _________________________________________
>>> reader-list: an open discussion list on media and the city.
>>> Critiques & Collaborations
>>> To subscribe: send an email to reader-list-request [at] sarai [dot] net with
>>> subscribe in the subject header.
>>> List archive: <https://mail.sarai.net/pipermail/reader-list/>;
>>>
>>
Received
10. 01. 2006 11:14
from
n0name newsletter #63
|<--------- Breite: 72 Zeichen - fixed font: Courier New, 10 --------->|
n0name newsletter #63 So., 10.01.2006 09:17 CET
*Inhalt/Contents*
1. AK47_38317 Remix
2. Sick. _Roman_ (Romanfortsetzung) Teil 277
13 KB, ca. 5 DIN A4-Seiten
------------------------------------------------------------------------
1.
AK47_38317 Remix
Die exakte Macht des Wiedermischens nimmt wieder neue alte Formen an.
Produktionsmittel haben wir ja genug. Wir sind die neue neue
selbstreferenzielle Generation von Resumenten und Multitudes, denen
das Kapital laengst wieder zuhoert.
13 mehr oder weniger nichtssagende (denn Stuecke sagen nie etwas)
Spuren und ein Text sind das Ergebnis einer Remixsession von AK47.
Nichts ist irgendwie noch tanzbar, AK47 stammt aber im Original
aus 1998, ist also vor dem "Cash" entstanden. Aber Originale haben
keine Chance. Das ist in der Konsequenz die Quintessenz der
reaktionaeren Aktion dieser Gruppe, die sozial zurueckgewiesen und
bohemianisch ihr Ding macht.
Immerhin werden Eigentumsverhaeltnisse befragt. Akustische
Waffengewalt und AK 47-Getue wie in "Ethnology Hit Man" (vermutlich
noch nicht einmal der Original Klang der SchreIBMaschine) werden aber
so lange als Loesungsvorschlags-Assoziation fraglich, so lange nur
gespielt wird.
Es ist jetzt schon kurz vor einem gemuetlichen Dienstag Abend vorm
Fernseher - da hilft auch keine Anspielung auf "Goddfeather".
Abimael Guzmán
Index of /ak47_38317 Remixes
Name Last modified Size Description
______________________________________________________________________
Remix Directory 27-Dec-2005 19:14 -
A-RealityEditWar-HeT#21D221.mp3 27-Dec-2005 17:26 1.8M
B-RealityEditWar-HeT#21D222.mp3 27-Dec-2005 17:25 7.3M
C-RealityEditWar-HeT#21D223.mp3 27-Dec-2005 17:24 12.3M
D-RealityEditWar-HeT#21D224.mp3 27-Dec-2005 17:21 5.2M
E-RealityEditWar-HeT#21D225.mp3 27-Dec-2005 17:38 13.2M
F-RealityEditWar-HeT#21D226.mp3 27-Dec-2005 17:35 13.0M
G-RealityEditWar-HeT#21D227.mp3 27-Dec-2005 17:32 10.8M
H-RealityEditWar-HeT#21D228.mp3 27-Dec-2005 17:30 3.8M
I-RealityEditWar-HeT#21D229.mp3 27-Dec-2005 17:29 17.5M
J-RealityEditWar-HeT#21D22A.mp3 27-Dec-2005 17:43 7.1M
K-RealityEditWar-HeT#21D22B.mp3 27-Dec-2005 17:41 9.0M
X-RealityEditWar-HeT#21D22D.mp3 27-Dec-2005 17:38 1.8M
Y-RealityEditWar-HeT#21D22C.mp3 27-Dec-2005 17:39 3.9M
----------------------------------------------------------------------
Repache/2.0.061 (Linux/Stringer) Server at your service Agent 007
http://konsumerziehung.de/realityeditwar-htc/
AK47 Self portrait
http://konsumerziehung.de/htc-banner.jpg
A new rising shootingstar: AK47 is a group against Berlin, Germany
founded in 2004. They started their Non-Bob Dylanesque "Never Starting
End" in the same year "and played around the so called globalized
globe" cities. The band was interviewed by themselves about the AK47
Remixes and Laptop Culture.
[from an interview for ASPECT magazine]
Q: What role does time play in your life?
A: The project AK47 pick up every moment for documentability, whithout
any chose of special or significant moments, every document (movie or
still picture) represents the whole set of moments within.
Q. How is your project lifetime from a collection?
A. Collections should be sorted, and in this way a collection
represents an act of selection. my life documents a spur changing
between time and room.
Q: What is the significance of “more” in your life?
A: The more in aour life is a little feeling of eternity, because it
has no significat beginning or end. projects accompany our life and
work, environment, thoughts and small views.
Q: What will you do with your accumulates after the second show?
A. The projects will be going further at the web.
Q: What are the folds of holy sound reflection and where do they
overlap themselves with textures of the environment?
A: Perceptions of sense landscapes change themselves off with
observations more spatially, more socially and for inter+subjective
relations, which develops at the edges of the tactile matrix.
Q: How does your project explore the physical and/or symbolic
possibilities of your accumulates?
A: Well, the pictures in this program (http://konsumerziehung.de)
examine the new abstract Extensionen, which develop in remnants of
utopian visualization and abandoned memory modules in dynamic Clustern.
found 1994, designated the label AK47 in Frankfurt/Main after the
philosophical paper of the same name on Gilles Deleuze and Felix
Guattari. AK47 produced remixes beyond the art scene. When stylistic
alternative to the slowly arising medium and InterNet art as well as to
intelligently mobile was established music community, which formed in
England around the label 38317.tk und its Artificial Intelligence of
series, AK47 as innovative Environment label, which offered a platform
to electronic projects and artists of experimental music compositions.
AK47 is located itself in the tradition line of the electronic
avant-garde art, since that the 2. World war out-differentiated.
Particularly the french school of the electrical connection artists
around Augusts Kitschwasser and Edouard k-Sparkoenig as well as the
scene around the Cologne based WDR studio, which founds stick living
and Pleitgen, prove approximately as influential.
AK47 sets of them esthetics for one of the tonylity and Farblehre
relerased ikonoklastic white noise arty way, which works consciously
with happenings and errors. A visual extension takes place by the
argument with the possibilities of digital sound processing. the
esthetic of AK47 is related on the other page of the electronic art,
which accepts the late 80ies / early 90ies into the 1970 years with
power station shape and starting from years with the arising of BBS and
InterNet the Popdiskurs begun to dominate.
De-Droit Drop City
(c)
Aspects like the functionality of picture and the questioning the
author shank came into the foreground and become crucial disticntion
criteria of a new interpretation of Popkultur. AK47 continues working
in the project of the electronic avant-garde art, but under the signs
of the Popdiskurse. The art / the label is given by the reference to
postmodernism of theorems among other things not least an image, which
makes these attractive for the feuilleton. Course-sharpening does one
say that the appeal on the theory as increase in value one not less
Glamour-factor throws off.
For 10 years AK47 however represents all the development of
experimental electronic and digital sound should be affected
internationally lastingly, be announced until in the year 2004, due to
the artistic bankruptcy of its Mentors Marc Behrens, insolvency had.
After the end of AK47 has founder Auguste Kitschwasser invented three
new labels, stolen music sound, Modern Trash Guerilla and AK48, with
which he of project of AK47 under discoursive, political and musical
conditions 21. Century to update wants. Pictorial deserts and
sensibility are text and sound vehicles, which the audience on a
journey by the universe Frankfurt electrical art labels of the AK47 as
well as its successor carries forward.
Here the specific mediality is produced medium artists by AK47 in form
of the InterNet feature, which is represented at the same time as
diversive archives, in order it its medial conserved form to alienate.
Musical deserts and sensibilities draw here nevertheless the picture of
a specific act of the Popkultur of the last ten years after, for its
product them are at the same time be-under-painted these theory and
sound performance by the contemplative art series "n0name" (matze
schmidt-kunst), last year's ars electronica winner.
(c) 2006 AK47
------------------------------------------------------------------------
2.
Sick. _Roman_ (Fortsetzungsroman) Teil 27
"Wie soll daraus jemals wieder ein logisch zusammenhaengender Text
hergestellt werden koennen?" dachte Roman.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Kuerzlich traf ich Ihn auf der Couch. Er hatte sich wie auf dieser
einem Reloop unterzogen.
Remix hin, Remix her. Das alles ist so miteinander verknuepft, dasz man
mit dem Laserskalpell dazwischengehen musz, um Klarheit zu schaffen!
Roman vergrub sich in Berechnung seiner verlorengegangenen Objekte.
Teil 278 im n0name newsletter #64
========================================================================
Sie erhalten den AK47 newsletter, weil sie da sind!/You get the AK47
newsletter, because you are there!
*Bitte weiterleiten!/Please forward!*
(c) © 2006 AK47 und die Autorennbahn
Received
10. 01. 2006 11:08
from
Re: Fwd: [Reader-list] some more questions
Die 2. URL funktioniert nicht. Intervention ist dringend erforderlich.
thing-frankfurt [at] yahoogroups [dot] de schrieb am 10.01.06 11:06:50:
>
>
> scheint ja wirklich wichtig zu sein, dieses ding "intervention".
>
>
> > Von: zainab [at] xtdnet [dot] nl
> > Datum: 10. Januar 2006 05:34:55 MEZ
> > An: urbanstudygroup [at] sarai [dot] net, reader-list [at] sarai [dot] net
> > Betreff: [Reader-list] some more questions
> >
> > So I have some more questions now:
> >
> > What does intervention mean?
> > What is/are the line/s of difference/s (nuance/s) between intervention
> > and
> > interference?
> > How does someone (institution/authority/person) acquire the right to
> > intervene?
> >
> > Cheers,
> > Zainab Questions Bawa
> >
> >
> > Zainab Bawa
> > Bombay
> > www.xanga.com/CityBytes
> > http://crimsonfeet.recut.org/rubrique53.html
> >
> > _________________________________________
> > reader-list: an open discussion list on media and the city.
> > Critiques & Collaborations
> > To subscribe: send an email to reader-list-request [at] sarai [dot] net with
> > subscribe in the subject header.
> > List archive: <https://mail.sarai.net/pipermail/reader-list/>;
> >
Received
10. 01. 2006 11:02
from
Re: Fwd: monochroms DEPT OF APPLIED OFFICE ARTS
Früher heiß das mal einfach Doodles...
thing-frankfurt [at] yahoogroups [dot] de schrieb am 10.01.06 10:54:48:
>
> >
> >
> > monochroms DEPT OF APPLIED OFFICE ARTS
> >
> > Office art (especially office drawing) is a regular technique used by
> > people in
> > white-collar working situations. There may not necessarily be a
> > creative
> > impulse to create office work, but the impulse of overcoming general
> > work
> > boredom or the necessity to help office workers keeping focus during
> > telephone
> > conversations and/or office meetings.
> > This page is dedicated to collecting office art.
> >
> > http://www.monochrom.at/applied-office-arts/
> >
> >
> >
>
>
>
>
Received
10. 01. 2006 10:53
from
Fwd: monochroms DEPT OF APPLIED OFFICE ARTS
>
>
> monochroms DEPT OF APPLIED OFFICE ARTS
>
> Office art (especially office drawing) is a regular technique used by
> people in
> white-collar working situations. There may not necessarily be a
> creative
> impulse to create office work, but the impulse of overcoming general
> work
> boredom or the necessity to help office workers keeping focus during
> telephone
> conversations and/or office meetings.
> This page is dedicated to collecting office art.
>
> http://www.monochrom.at/applied-office-arts/
>
>
>
Received
10. 01. 2006 10:46
from
Fwd: [Reader-list] some more questions
scheint ja wirklich wichtig zu sein, dieses ding "intervention".
> Von: zainab [at] xtdnet [dot] nl
> Datum: 10. Januar 2006 05:34:55 MEZ
> An: urbanstudygroup [at] sarai [dot] net, reader-list [at] sarai [dot] net
> Betreff: [Reader-list] some more questions
>
> So I have some more questions now:
>
> What does intervention mean?
> What is/are the line/s of difference/s (nuance/s) between intervention
> and
> interference?
> How does someone (institution/authority/person) acquire the right to
> intervene?
>
> Cheers,
> Zainab Questions Bawa
>
>
> Zainab Bawa
> Bombay
> www.xanga.com/CityBytes
> http://crimsonfeet.recut.org/rubrique53.html
>
> _________________________________________
> reader-list: an open discussion list on media and the city.
> Critiques & Collaborations
> To subscribe: send an email to reader-list-request [at] sarai [dot] net with
> subscribe in the subject header.
> List archive: <https://mail.sarai.net/pipermail/reader-list/>;
>
Received
10. 01. 2006 00:22
from
Fwd: new art piece @ ROK-CAI
schauns mal, herr beck,
das scheint so was ähnliches wie the thing zu sein, nur die preise sind
voll porno. vielleicht sollten sie beim thing cms auch 29 euro/monat
membership fee erheben, dann käme mal butter bei die fische.
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> ...
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> In the next three months Artfacts.Net will participate with a stand in:
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> ARCO-Madrid (09.02. - 13.02.06) - www.arco.ifema.es
> Art Karlsruhe (09.03. - 12.03.06) - www.art-karlsruhe.de
> The Armory Show (09.03. - 13.03.06) - www.thearmoryshow.com
>
>
>
>
> k0nstant k0mpytian schrieb:
>>
>> Bonzo Fein & Alfred 23 Harth
>> "Stuhl im Fahrtmann"
>> Sensorische Installation, ROK Contemporary Art Institute, 2006
>> kuratiert von Soon-Yi Curtz
>>
>> http://signifikat.de/
>>
>> bonzo fein, a.s.c.
>> interdisciplinary & résistance art and collaborations
>>
>>
>> "Sie, ja Sie! In China steht die Hafenstadt Dalian an 1. Stelle
>> bezüglich Lebensqualität – garnicht weit von hier. Vielleicht eine
>> künftige Ausflugsidee … Mit Choi Sun Bae & Park Changwon entwerfe ich
>> ein Exposé für ein 16-köpfiges Orchester mit verschiedensten
>> Genre-Spielern & Video etc: LEBENSVERLAENGERUNGSTECHNOLOGIE Eine
>> Strecke von Dr. Faust bis Dr. Hwang Synchron hierzu läuft abends im
>> TV „Vanilla sky“ von Tom Cruise mit „Life Extension“. Am 8. mit
>> Changwon in Heyri-Artvillage an der DMZ einen anregenden Nachmittag
>> verbracht. Am 9. stellen wir unser Projekt vor in „Fizzcaraldo“,
>> einem mit Holzimitation-dc-fix überklebten Opernhaus mit Sportplatz."
>> (Auszug)
>> http://signifikat.de/lebensverlang.JPG
>>
>>
>> in memoriam patrick raddatz †
>>
>>
>>
>
> --
> Best regards
>
>
> Artur M. Holweg
>
> Marketing Director
> Business Development
> _______________________________________________________________________
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